Gallery

light is dark / dark is light
• they are four individual pieces...but one as a whole.  they correspond to each other and can be placed side by side or in one group.
• follow a triadic color scheme (primary, secondary, tertiary) and work their way around the color wheel.  the lightest colors in each scheme represent the shadows, and the darkest colors represent the source of light.
• spray paint on wood
• 36" x 24" 

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bofinkCOVIDs11.1

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bofinkCOVIDt7.1

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 nature's 'paint by numbers' following the grain of the wood
• they are four individual pieces, but can be placed together in different configurations to align the revealed wood bands.
• a play with traditional tri-color schemes whereby one member of each classically harmonious triad is removed .  the jarring color contrast is tempered by the more organic nature of the wood grain resulting in an energizing visual effect. 
• the piece(s) evolve through application and mixture of media gaining thickness/opacity...also becoming more or less free flowing, not constrained by the "direction" of the grain of wood.
• acrylic paint on wood
• 24" x 60"

cat.#WB2C1.5TLR.1

cat.#WB2C1.5TLR.2

cat.#WB2C1.5TLR.3

cat.#WB2C1.5TLR.4

nature's paint by numbers following the grain of the wood/pastel series
• they are four individual pieces.
• quadratic color, split complementary, warm and cool schemes.  paying homage to the wood they were made with, the paints were applied by direction of the grain itself. the colors were toned and sanded smooth to achieve a harmonious palette evoking ripples in a body of water.
• acrylic paint on wood
• 48" x 24"

cat.# WB5CS0604.1

cat.# WB5CS0604.2

cat.# WB5CS0604.3

cat.# WB5CS0604.4

the warm glow of shadows/making negatives into positives & positives into negatives
• they are individual pieces.
• working from black and white negative photographs, the darkest shadows are represented by the lightest colors and the brightest highlights are represented by the darkest colors.  with guidance from color theory and unique application process, the drawings produce an energized calm.
• oil pastel on paper
• 40" x 28"

D2LL2D.1

D2LL2D.2

D2LL2D.3

D2LL2D.4

D2LL2D.5

D2LL2D.6

spirals in nature/down to our core
• individual pieces corresponding to each other through the evolution of added/subtracted color and medium.
• reminiscent of nature with a fairly monochromatic sandalwood earth tone the pieces evolve through the process of adding and removing medium to produce an increasing depth of field, while paying homage to spirals that can been seen in nature from our DNA to the galaxy itself.
• mixed media on paper
• 48" x 48"

MCS.1

MCS.2

MCS.3

MCS.4

MCS.5

how do colors make you feel/all the same
• they are individual pieces.
• color symbolism...there is diversity in the meaning or emotions of colors, setting aside any cultural or societal meaning and their associations.  meant to evoke more visceral emotion, feeling, and/or meaning...breaking it down to the core of the basic biological principle.
• mixed media on paper
• 48" x 48"

redSpiral

blueSpiral

yellowSpiral

greenSpiral

black&whiteSpiral

process over everything else/addition and subtraction
• they are individual pieces.
• process, process, process...adding medium and subtracting/removing medium.  trying to remove all other thoughts either preconceived or inherent and let the process steer me in the direction it wanted to go.
• mixed media on paper
• 48" x 48"

PAMSRM.1

PAMSRM.2

PAMSRM.3

PAMSRM.4

PAMSRM.5

regression in time / story of progression